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課程名稱 |
黑格爾美學講演錄導論
Hegel's Introductory Lectures on Aesthetics |
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開課學期 |
108-2 |
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授課對象 |
文學院 哲學研究所 |
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授課教師 |
楊植勝 |
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課號 |
Phl7560 |
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課程識別碼 |
124 M8000 |
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班次 |
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學分 |
3.0 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
星期五8,9,10(15:30~18:20) |
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上課地點 |
哲研討室三 |
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備註 |
本課程中文授課,使用英文教科書。研究所：D領域。
大學部：(C)哲學專題群組。
總人數上限：16人 |
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課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
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課程大綱
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課程概述 |
黑格爾的《美學演講錄》篇幅龐大，難以竟讀。這門課程聚焦在《美學演講錄》的「導論」。英國企鵝版的《黑格爾美學演講錄導論》一書共有二百餘頁。Bosanquet的英譯把它分為五章。黑格爾哲學學者Michael Inwood為這個英譯本的《導論》另寫了一篇導論。這門課程將從這篇《導論》的導論文章開始，進一步閱讀黑格爾的《導論》本身。 |
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課程目標 |
清楚而全盤地把握黑格爾的美學思想，包括他的美、藝術等概念、他對其他美學觀點的批判，以及他在這個課題所做的分類。 |
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課程要求 |
待補 |
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預期每週課後學習時數 |
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Office Hours |
每週五 12:20~14:10 |
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指定閱讀 |
Hegel, Georg Wilhelm Friedrich. Introductory Lectures on Aesthetics. Translated by Bernard Bosanquet. Penguin Books Ltd, 2004 |
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參考書目 |
（一）黑格爾作品
Hegel, Georg Wilehlm Friedrich. Vorlesungen uber die Asthetik I. Frankfurt am Main: Suhrkamp Verlag, 1970
Hegel, Georg Wilehlm Friedrich. Vorlesungen uber die Philosophie der Kunst. Hamburg: Wissenschaftliche Buchgesellschaft, 2003
Hegel, Georg Wilehlm Friedrich. Philosophie der Kunst: Vorlesungen von 1826. Frankfurt am Main: Suhrkamp Verlag, 2004
Hegel, Georg Wilehlm Friedrich. Aesthetics: Lectures on Fine Art. Translated by T. M. Knox, Volume I. Oxford University Press, 1975
黑格爾著，朱光潛譯，《美學》，第一卷，北京：商務印書館，1997
黑格爾著，朱孟實譯，《美學》（一），臺北：里仁書局，1981
黑格爾著，燕曉東編譯，《美學》，北京：人民日報出版社，2005
（二）西文二手資料
Hegel: On the Arts. Translated by Henry Paolucci. New York: Frederick Ungar Publishing Co., 1979
Art and Logic in Hegel’s Philosophy. Edited by Warren E. Steinkraus and Kenneth I. Schmitz. New Jersey: Humanities Press, Sussex: Harvester Press, 1980.
Bungay, Stephen. Beauty and Truth: A Study of Hegel’s Aesthetics. Oxford University Press, 1984
Krukowski, Lucian. Aesthetic Legacies. Philadelphia: Temple University Press, 1992
Wyss, Beat. Hegel’s Art History and the Critique of Modernity. Translated by Caroline Dobson Saltzwedel. Cambridge University Press, 1999
Pillow, Kirk. Sublime Understanding: Aesthetic Reflection in Kant and Hegel. Cambridge, Massachusetts: The MIT Press, 2000
Hegel and Aesthetics. Edited by William Maker. New York: State University of New York Press, 2000
Gethmann-Siefert, Annemarie. Einfuhrung in Hegels Asthetik. Munchen: Wilhelm Fink Verlag, 2005
Hegel and the Arts. Edited by Stephen Houlgate. Evanston: Northwestern University Press, 2007
Margolis, Joseph. On Aesthetics: An Unforgiving Introduction. Belmont: Wadsworth, 2009
Kedney, John Steinfort, S. T. D. Hegel’s Aesthetics: A Critical Exposition. Digireads.com Publishing: 2010
Pippin, Robert B., After the Beautiful: Hegel and the Philosophy of Pictorial Modernism. Chicago and London: The University of Chicago Press, 2014
（三）中文二手資料
朱立元。《黑格爾美學論稿》。上海：復旦大學出版社，1986
薛華。《黑格爾與藝術難題－一段問題史》。北京：中國社會科學出版社，1986
賀瑞麟。《黑格爾美學中的自由概念研究》。臺北：行政院國家科學委員會專題研究計畫成果報告，1996
邱紫華。《思辯的美學與自由的藝術－黑格爾美學思想引論》。武漢：華中師範大學出版社，1997
王福生編譯。《黑格爾論藝術》。長春：吉林美術出版社，2007
陳鵬。《走出藝術哲學迷宮－黑格爾美學筆記》。北京：文化藝術出版社，2007
克勞斯費維克著，徐賢樑等譯。《黑格爾的藝術哲學》。北京：商務印書館，2018 |
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評量方式
(僅供參考) |
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No. |
項目 |
百分比 |
說明 |
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1. |
上課出席 |
30% |
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2. |
課堂報告 |
30% |
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3. |
期末考試 |
40% |
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週次 |
日期 |
單元主題 |
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第1週 |
3/06 |
課程介紹 |
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第2週 |
3/13 |
Michael Inwood’s Introduction: (1) Art in Hegel’s Germany, (2) Philosophy and Aesthetics, (3) Hegel’s Aesthetics ,(4) Art, the Absolute and Spirit |
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第3週 |
3/20 |
Michael Inwood’s Introduction: (5) The Absolute as Spirit, (6) Concept and Idea, (7) Art and Religion, (8) Art and History, |
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第4週 |
3/27 |
Michael Inwood’s Introduction: (9) Art and Philosophy, (10) The Rise and Fall of Art, (11) The Rise of Philosophy, (12) Art and Irony, (13) Irony and Philosophy, (14) The End of Art or the End of History? |
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第5週 |
4/03 |
Chapter I The Range of Aesthetic Defined, and Some Objections against the Philosophy of Art Refuted: (α) Aesthetic confined to Beauty of Art, (β) Does Art merit Scientific Treatment? |
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第6週 |
4/10 |
Chapter I The Range of Aesthetic Defined, and Some Objections against the Philosophy of Art Refuted: (γ) Is Scientific Treatment appropriate to Art? (δ) Answer to β (ε) Answer to γ |
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第7週 |
4/17 |
Chapter II: Methods of Science Applicable to Beauty and Art: (1) Empirical Method – Art-scholarship, (2) Abstract Reflection, (3) The Philosophical Conception of Artistic Beauty, general notion of |
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第8週 |
4/24 |
Chapter III The Conception of Artistic Beauty, Part I, The work of Art as Made and as Sensuous: (1) Work of Art as Product of Human Activity (a), (b), (c) |
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第9週 |
5/01 |
Chapter III The Conception of Artistic Beauty, Part I, The work of Art as Made and as Sensuous: (1) Work of Art as Product of Human Activity (d), (2) Work of Art as addressed to Man’s Sense (a) Object of Art – Pleasant Feeling? (b) Feeling of Beauty – Taste, (c) Art-scholarship |
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第10週 |
5/08 |
Chapter III The Conception of Artistic Beauty, Part I, The work of Art as Made and as Sensuous: (2) Work of Art as addressed to Man’s Sense (d) Profounder Consequences of Sensuous Nature of Art |
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第11週 |
5/15 |
Chapter III The Conception of Artistic Beauty, Part II, The End of Art: (a) Imitation of Nature? (b) Humani nihil? |
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第12週 |
5/22 |
Chapter III The Conception of Artistic Beauty, Part II, The End of Art: (c) Mitigation of the Passions? (b) Art has its own Purpose as Revelation of Truth |
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第13週 |
5/29 |
Chapter IV Historical Deduction of the True Idea of Art in Modern Philosophy: (1) Kant, (2) Schiller, Winckelmann, Schelling |
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第14週 |
6/05 |
Chapter IV Historical Deduction of the True Idea of Art in Modern Philosophy: (2) The Irony |
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第15週 |
6/12 |
Chapter V Division of the Subject: (1) The Condition of Artistic Presentation is the Correspondence of Matter and Plastic Form, (2) The Ideal |
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第16週 |
6/19 |
Chapter V Division of the Subject: (3) The Types of Art |
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第17週 |
6/26 |
Chapter V Division of the Subject: (4) The Several Arts, (5) Conclusion |
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